Tuesday, December 30, 2014
several projects cast and ready for finishing
finished and ready for packing
hand carved plaster models
Shifting from some big Future Retrieval projects I decided to slow down and hand carve these tree forms from plaster for our residency in Jingdezhen this year. Thinking about production and material as well, one design can be oriented in several ways depending on the trunk/base. The bonsai represents time, labor, attention, and patience; which is in the core of our philosophy.
Wednesday, October 22, 2014
Monday, September 22, 2014
Sunday, September 21, 2014
Sunday, September 14, 2014
Monday, August 4, 2014
Wednesday, July 23, 2014
Concept stuff for the current project. Everything begins with drawing and prototypes. These were done earlier this summer at the residency and are becoming a reality. Three artists, some fine materials, and a couple of months later, the future is near.
See the beginning here at Future Retrieval.
Posted by GMD at 7/23/2014
Tuesday, July 22, 2014
Saturday, May 3, 2014
We have a new studio for the the next three months at the Bemis Center for Contemporary Arts. Here is our private studio and the ceramics studio. There is tons of space here and plenty of support. Katie and I have several large projects already underway and its just day 2.
We'll all take turns I'll get mine, too
This monkey's gone to heaven.
This monkey's gone to heaven.
Monkey Gone to Heaven, The Pixies
Katie Parker and Guy Michael Davis work collaboratively as Future Retrieval, the monkey sculpture they created for (Im)material Artefacts looks like it has just raided an antique shop. The monkey is balancing a teapot on his head, a greyhound ornament rests gracefully between his legs, and it is clutching an Egyptian shabti and an archaic rider figure in his big hands. The monkey is a 3D scan of a battered automaton Parker and Davis found in an upstate New York antique mall, his loot is made up of 3D scans of ceramic artefacts from the National Museum Cardiff.
“We are often drawn to grotesque mannerist figures” Parker explains “the moving monkey automaton looked beat up, unfixable, pathetic, but saveable.”
The title Monkey Heaven was inspired by a pop song by the Pixies; by infusing artefacts with contemporary meaning Future Retrieval are making old objects relevant and tying them into present-day culture. “We are searching to reanimate old tattered things, to make them precious,” explains Davis. “Although our work can be quite funny we are respectful towards the objects we work with, towards their histories,” Parker explains, “we do not want to destroy or humiliate.” Davis agrees, that the objects they gather and work with are more than mere props and shapes; “we have respect for the material and subject matter we work with, we riff off the objects.” The joy Future Retrieval have in their work shows in the finished pieces; “maybe I’m the monkey” Davis muses “and I’m in heaven, juggling with these objects, celebrating these things from the past.”
Read More about the project here http://immaterialartefacts.blogspot.co.uk/
Wednesday, February 5, 2014
I gained a little more control of blue and white painting, something I want to pursue further. The imagery came from a Ming Dynasty shard I found that I thought looked quite contemporary, I stylized it a bit further though.
Some wheel work also happened that was then passed of to a local artist who specializes in flower making, this is for a show in March.
Of course I can not help myself when I go to China but to work with the image of Mao. I purchased the figures from a family business that still makes these cultural revolution figures, then began painting it with iconographic patterns that I designed thinking of the opium wars, the Shanghai massacre, the great leap forward, and other major events.
Posted by GMD at 2/05/2014